SUSAN WASHINGTON AT FEMME
Washington, DC · August 27–30, 2026
In celebration of FEMME Art Fair, I've brought together the works I'm exhibiting at the fair along with a broader selection from my ongoing work centered on women-their voices, histories, stories and impact.
All works shown below are currently available. Click any artwork to see additional images, details and pricing.
See something you'd like to know more about? I'm always happy to answer questions, send additional photographs or video, or talk with you about a work. Feel free to email me susan@susanwashingtonfineart.com Prefer to text? Text Susan directly.
Shipping included within the continental U.S.
Questions about this work? INQUIRE HERE
36” x 36”
Oil, acrylic and ink on stretched canvas, framed in a silver float frame.
Part of the Subway Sonnet series, rooted in memory, rhythm, and the visual language of the city. Drawing on growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history.
Ships from the artist's studio in Baltimore. Certificate of authenticity included.
Shipping included within the continental U.S.
Questions about this work? INQUIRE HERE
30” x 40”
Oil, acrylic and ink on stretched canvas, framed in a silver float frame.
Part of the Subway Sonnet series, rooted in memory, rhythm, and the visual language of the city. Drawing on growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history.
Ships from the artist's studio in Baltimore. Certificate of authenticity included.
INQUIRE ABOUT THIS PIECE
PURCHASE NOW
48” x 48”
Oil, acrylic, ink on canvas in silver float frame.
Part of the Subway Sonnet series, rooted in memory, rhythm, and the visual language of the city. Drawing on growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history.
Ships from the artist's studio in Baltimore. Certificate of authenticity included.
Shipping included within the continental U.S.
Questions about this work? INQUIRE HERE
36” x 48”
Oil, acrylic and ink on stretched canvas, framed in a silver float frame.
Part of the Subway Sonnet series, rooted in memory, rhythm, and the visual language of the city. Drawing on growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history.
Ships from the artist's studio in Baltimore. Certificate of authenticity included.
Shipping included within the continental U.S.
Questions about this work? INQUIRE HERE
36” x 48”
Ink transfer and acrylic on stretched canvas, framed in a silver float frame.
Part of the Subway Sonnet series, rooted in memory, rhythm, and the visual language of the city. Drawing on growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history.
Ships from the artist's studio in Baltimore. Certificate of authenticity included.
Shipping included within the continental U.S.
Questions about this work? INQUIRE HERE
30” x 40”
Oil, acrylic and ink on stretched canvas, framed in a silver float frame.
Part of the Subway Sonnet series, rooted in memory, rhythm, and the visual language of the city. Drawing on growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history.
Ships from the artist's studio in Baltimore. Certificate of authenticity included.
Shipping included within the continental U.S.
Questions about this work? INQUIRE HERE
30” x 40”
Oil, acrylic and ink on stretched canvas, framed in a silver float frame.
Part of the Subway Sonnet series, rooted in memory, rhythm, and the visual language of the city. Drawing on growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history.
Ships from the artist's studio in Baltimore. Certificate of authenticity included.
Shipping included within the continental U.S.
Questions about this work? INQUIRE HERE
No. 2 | The World’s Gone Mad, but Love is the Answer is an original work by Susan Washington, created in 2026.
36” x 48 “
Oil, paint, paper, and acrylic on stretched canvas.
This work is part of the Subway Sonnet series, a body of work rooted in memory, rhythm, and the visual language of the city. Drawing from Susan Washington’s experience growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history across urban spaces.
Images, lyrics, and symbols intersect throughout the work, referencing postwar American art, neo-expressionism, and contemporary culture. Each piece carries its own internal language, often centered around themes of affirmation, energy, and personal narrative.
Ready to hang.
Ships from the artist’s studio in Baltimore. Certificate of authenticity included.
Shipping included within the continental U.S.
Questions about this work? INQUIRE HERE
36” x 36”
Oil, acrylic and ink on stretched canvas, framed in a silver float frame.
Part of the Subway Sonnet series, rooted in memory, rhythm, and the visual language of the city. Drawing on growing up in New York in the late 1980s, the surface builds through layers of marks, text, and fragments, echoing the accumulation of graffiti, posters, and lived history.
Ships from the artist's studio in Baltimore. Certificate of authenticity included.